In his old age,Deng traveled at Zhengjiang, Jingxian, etc. In 1802, He admitted Bao Shicheng as his disciple. Deng Shiru liked Bao very much and instructed him without any reservation.
Bao Shicheng was gifted in arts talent and was a good speecher as well. He tried his best to promote the teacher’s achievements. And then Bao Shicheng imparted Deng ‘s konwledge and art skills to his disciple Wu Xizai, another great artist in the late Qing Dynasty. Bao was not famous for seal carving, but he made great contribution to Deng school.
In the tenth year of Jiaqing period(1805), Deng received the bad news that the male crane died of fighting with snakes. His heath was deteriorating since then. In the beginning of that winter, Deng Shiru died at the age of 63.
Shian’s mark: Throughout Deng Shiru’s whole life, he had met with many rich and influential officials. But he was noble and didn’t care about fame and wealth. He prefered to be a common man. He had travelled widely to famous mountains and rivers, trying hard to improve his art achievements in the spirit of nature. His calligraphy and seal carving are particularly sophisticated and refined and prominent in the arts field As the art leader with his pioneering spirit at that time, he was respected as an arts giant by all kinds of people.This honour is truly unique over the past hundreds of years.
邓石如传文/石安
邓石如者，安微怀宁人氏（1743-1805年），清代书印大家也 。原名琰，字石如，年五十有三为避清仁宗嘉庆名讳，以字行，后更字顽伯 。因居大龙山西北之皖公山下，故号完白山人、龙山樵长 。余号若古浣子、笈游道人、凤水渔长等，或以地域、经历名之，不一而足，皆有道于其中焉 。
石如才高八斗，书印之名烁于当时，披及后世，世人推为皖派宗师 。然其心清意淡，孤高欲寡，耿直任侠，且无意致仕，一生布衣 。
石如出身塾师寒门，虽家学渊源，祖父邓士沅、父亲邓一枝皆精于书画，然潜德不耀，学行笃实，耕读传家，以布衣之身终老穷庐，皆一时高士也 。石如幼承庭训，好学乐书，又喜篆刻，家贫而有博学，少时有成矣 。
据闻，石如九岁之年，从父学，因家贫，未及一年弃学从耕，采樵、贩饼以鬻家用 。然贫也不坠其志，樵耕之余潜学苦读，勤学不辍，于研学一域几近痴迷 。居于屋内则遍阅典籍，作于田间则悟书思理，又以芦为笔以地为纸，篆临峄山芝罘，隶习史晨孔羡，印宗秦汉，“效其父为篆隶，摹其印卖诸市”，日久书印技艺精进，未及弱冠已声邑乡里 。
岁在舞象（17岁）之时，石如尝为当地名士潇洒老人作《雪浪斋铭并序》篆书，颇得赞誉，乡人称其“双李”（李斯、李阳冰）再世，后遂以书刻为生 。
及至弱冠（20岁），石如设馆于乡里，任童子师，后因不耐蒙童憨跳而去，旋即随父往寿州设馆授业，次年又因丧妻辞馆，遂负笈游学四方，不复设馆教学耳 。
待三十而立，石如因为寿州循理书院诸生书刻之故，得识当时名士、书院主讲梁巘 。梁公见邓书，赞曰：“此子惜未谙古法耳 。其笔势浑鸷，余所不能；充其才力，可以凌轹数百年巨公矣 。”又云：“笔力横绝，吾所不能；惜其见所不广，若得见汉唐碑迹，何患不出入冰斯！”
梁公视石如若璞玉藏于山石，对其喜爱有加 。因惜其才，遂效伯乐，荐石如至江宁（今南京）梅缪处 。梅氏，江左望族，收藏大家也 。梅氏兄弟三人待邓友善，家中庋藏皆示石如 。邓寓梅家八载，纵览博取，精研苦习，尽摹梅家所藏金石善本，所临每种竟至百本 。其自谓“每日昧爽起，研墨盈盘，至夜分尽墨，寒暑不辍 。”乃有大成，四体皆工，自成家法，时人以为神品；又悟得书印相参之理，印从书出，以书入印，其印得劲健婀娜秦篆之趣、雄沉朴厚汉碑之味，别具一格，自成一家 。其书既成，印亦蔚然可观、门户乃立耳 。

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